Sunday, 19 February 2017

How porn makes inequality sexually arousing


Aphrodisiacs for the Emotionally‑Retarded

Summary: How White People Are.

I t is not pornography that makes gender inequality sexually‑arousing; it is inequality that makes porn sexually‑arousing.

It puts the cart‑before‑the‑horse to assume that politics follows esthetics, in this way, when it is much more the other way around. After all, if White cultures were not predicated on inequality, why would porn exist, at all, in its current, largely‑negative form?

Pornography

White pornography is an honest mirror of White culture into which Whites fear to gaze lest they see themselves as they really are. This is why they either pretend it is not important or call for its prohibition – but never for any cultural change that would actually make it irrelevant – or better. For example, a sexually self‑aware man would not need porn: He would either masturbate (a selfish act), have sex or make love (sharing acts) – as circumstance permits.

White‑Supremacist Sexism

White women are doubly‑trapped in a White supremacist and a patriarchal society that eroticizes women’s subordination to male sexism. This, as part of a package‑deal enabling those same women to partly‑benefit from White supremacy – so long as they accept the concept of female inferiority and avoid having invidious sex with men of other ethnicities (which might actually be more enjoyable and more fulfilling than sex with White men).

White women accept their social status as being more like property than that of being cherished, along with the fact that their male partners possess sexual imaginations shaped by a culture that makes women’s subordination a sexual turn‑on for White men. Such women deliberately deprive themselves of more satisfying sexual options because they lack the courage to choose from all those available; hence, the ongoing failure of White feminism to free White women from male control of their sexuality. White women actually want it that way; pretending to be against male domination, while secretly hungering for it. White men can clearly see this White female masochism and can, thus, exploit it for all its sexual and political value.

Politics in the Bedroom

Because White women know from porn what White men really think about them (as Black people know from Hollywood movies what Jews & Whites think of them), White women either choose to associate with men of other ethnicities; thereby risking the loss of the benefits of White supremacy arising from the resulting social ostracism – or try to beat White men at their own political game. In the latter case, politics is brought into the bedroom as White women then become affective prostitutes trying to gain the sexual acceptance of White males who do not actually like them (or, indeed, sexual intercourse, itself) all that much – except as sperm receptacles or masturbation substitutes, respectively. White men and White women thus become unequal allies in a race‑war – never equal friends, because they are simultaneously‑engaged in an internecine sex‑war.

White men seeing White women as mere non‑consensual holes‑to‑be‑filled helps explain, for example, White women’s obsession with dieting to desperately make themselves into what White men claim to want by trying to achieve the physically‑impossible. What White men really want is to get White women to waste their time enslaved to trying to achieve the physically‑impossible; making them the sex‑slaves of White men’s dreams. Trying to be what others wish you to be in the hope that they will love you a little more (& hate you a little less) means White women are effectively forced to mate only with White men in an emotionally‑suicidal game of cultural rape.

This White personal masochism results in the effective end to all the personal relationships that such people could ever hope to achieve, as well as the resulting high incidence, among Whites, of such things as: White guilt, divorce, drug‑ & sex‑addiction, alcoholism & White whining – the inevitable outcomes of their endemic and self‑created loneliness.

Sexual Intercourse for Robots

Sexism also explains the White penchant for how‑to‑fuck‑books & videos that the emotionally‑repressed believe will cure them of their sexual hangups; which become little more than porn‑by‑another‑name. Such works spring from the White desire to obstruct sexual spontaneity (in hopes of ensuring White women only have sex with White men, on White men’s terms); by taking them as descriptions of correct, normal & healthy sexual activity between allegedly consenting Caucasians. In this way (because White science found no evidence for an ethnic hierarchy), White emotional retardation is perpetuated, in the hope that Whites will appear to be above‑that‑sort‑of‑thing and, thus, somehow more civilized (ie, more repressed) than the so‑called lesser breeds. Whites are thus willing to sacrifice personal happiness for political correctness by pretending that the alleged problem (human sexuality) is actually the alleged solution.

Pornography is created and used by Whites as both a scapegoat for the sexual and racial ills of White culture and as a phony cure for those very ills. Only by refusing to conform to such self‑defeating nonsense and by replacing sensational porn with emotional intimacy – with people of their own, personal choice – can White people ever hope to escape their self‑made social trap.

Sunday, 12 February 2017

Charlotte Rampling
(2016)


Inside every White person, Hitler yearns to breathe free

Heads I Win, Tails You Lose

The struggle between the autonomous few and the non‑autonomous many – is only beginning.[1]

T he Academy Awards of Merit (Oscars) are a classic case of the self‑fulfilling prophecy of White supremacy, since there are no years when White people are not nominated for Oscars – an economic advantage White actors rarely renounce and from which Black ones can rarely benefit.

Unforgivable Blackness

In a sense, Blacks have little fear of being judged by their skin color for Caucasian awards, since it is so very difficult for them to win such awards from Whites – in the first place. Socially‑controlling Whites require that People Of Color (POC) always be at their best, because Whites will never give them more than one chance; while Whites offer themselves at least two, so are incentivized to be lazy, mediocre & entitled. Therefore, since Political Correctness is designed to favor such Whites, anything Black people win from them must be the result of a talent that not even Whites can deny – no matter how hard White people usually try.

Rampling’s claim that Black actors are somehow not as good as Whites proves she is perfectly happy to accept the fact that of the 3,048 Oscars awarded from 1929 to 2016, only 32 were won by Black people – implying Whites are 95.25 times more merit‑worthy than Blacks. It is White supremacist to assume that the reason for this is anything other than White supremacy, since there is no scientifically‑objective evidence that Whites are more talented than Blacks.

Caucasian Political Correctness

Rampling’s rant is the unassuagable White guilt that comes from being born into a racist culture and of benefiting from the unearned advantages that constantly‑threatening other people’s lives offers Whites. This induces the White desperation of claiming the existence of Black racism (whenever Black people attack White supremacy) as a simple way (Whites think) of evading the existential agonies of White guilt – an evidence‑free White paranoia that also suggests Hitler’s behavior actually was a self‑defensive response to the (non‑existent) predations of European Jewry. Simultaneously, the non‑existence of Black supremacy reveals Whites possess a reckless disregard for the facts‑of‑reality, which is also a tacit admission of just how racist Whites are and wish to remain.

Institutional cheating

The big problem for White actors, of course, is that if their awards were won because they were White (rather than talented), they would then have to face the ego‑deflating news that it is Whites who are the most undeserving of Oscars – not Black people.

It is an unpalatable fact for Whites that every award given to a White person in a White supremacist culture is automatically‑undermined and tainted by that very White supremacy. Their knowledge that they do not have to work as hard as everyone else to achieve the admiration of their peers, makes Whites lazy‑enough not to deserve the awards they get; meaning that these awards must be being awarded to them on the basis of skin pigmentation, rather than talent, skill or ability.

White supremacy at the Oscars has the same effect as drug-taking in sports – it is cheating‑to‑win; making Whites no better than athletes like Lance Armstrong (the three White exceptions being Dudley Nichols, George C. Scott & especially Marlon Brando). What Charlotte RAMPLING is really saying, of course, is that without White supremacy she would not have had such a good acting career.

Rampling conveniently‑ignores the fact that because Western culture is institutionally racist, actors‑of‑color have fewer opportunities to display their acting talent. But La Rampling – being White – lacks empathy, since the obvious fact of Institutional‑Racism means less competition for her acting roles and fewer actors better than she clearly being seen to be better. Actors‑of‑color thus get less opportunities to become the bankable stars whom, Whites claim, do not exist – a classically‑racist self‑fulfilling prophecy.

Negative Racial‑Stereotyping

White people fear that Black people are better actors because Blacks live richer emotional lives; thus being able to reflect and represent more varieties of human experience in their performances. This subverts the self‑fulfilling White tendency to treat Black talent as invisible, in order to make White talent seem so much better by implying Whites face no real competition from anyone else, since Whites wish to be seen as the self‑evident Master race that their racism clearly reveals they are not.

Every admission that a Black actor is better than a White one (& each year their can only be one Best, of either gender) knocks Whites off their racial pedestal – a blow to the ego from which they may never recover; explaining why so few such coups are ever offered Blacks. (Whites would prefer separate actor categories for Best Black Actor & Best (White) Actor, but that would make the Oscars’ racism (& its racist tokenism) even more obvious – as does the fact that most years two movies win for best film: One English-language; the other Foreign; ensuring that at least one White film wins every year.)

Caucasian Talentlessness

Rampling even bizarrely implies that White culture is a meritocracy – without any evidence; proving her to be a paranoid/schizophrenic with White delusions of Grandeur. This is the usual White attempt to maintain the benefits of White supremacy, while vainly‑refusing to accept the most‑appropriate label for such behavior: Racist. Yet, one cannot call such Whites anything else, stuck as they are in the angry vicious‑cycle of continually being reminded of their talentless claims of ethnic greatness.

Clearly, Rampling has relied more on her skin color in her career than upon any actual talent that she may – or may not – possess. Whites like her fear that if more Black people judged Oscars, less Whites would win; something that would make Rampling even more vocal about her inbred racial‑resentment. (Would she have the courage to say that because most Miss Worlds have been White, that this is because Black women are ugly?) Ultimately, a woman like Charlotte Rampling need never fear women losing‑out at racist awards like the Oscars, because a woman will always (& can only) win Best Actress; a gender quota that only applies to the four acting categories (Best Actor in a Leading Role; Best Actor in a Supporting Role; Best Actress in a Leading Role; Best Actress in a Supporting Role): An attempt to automatically forestall claims of White sexism in the Academy (there is, for example, no Oscar for Best Female Director). If only one actor won for their acting every year, you can be certain that if it were mostly male actors, she would be the first to label the Academy sexist. (It is also the case that nearly all acting Oscars are given to English‑language performances – only three such prizes for foreign language performances having ever been awarded; further demonstrating the rigged game the Academy plays with its prizes.)

Meritocracy for Whites

Whites know perfectly‑well that their culture is not fundamentally‑meritocratic, yet continue to accept awards knowing these have no necessary relationship to actual White ability, talent or skill. They refuse to openly‑admit that this is the case, so act (& it is all about acting) as if such awards were the inevitable reward for genuine, unaided adult achievement – when they are little more than examples of Whites re‑affirming the racist bonds that bind them to one another: Tokens of acceptance and approval that are sometimes given to POC in the vain hope that no‑one will realize that they are little more than rewards for agreeing to be racist.

When all other arguments fail to convince POC (& Whites, themselves) that their mutual backslapping is anything more than just another form of apartheid, Whites give‑up pretending to be meritocrats; falling back to their default position: Open White supremacy. Whites have to cheat to achieve anything at all in comparison to others, otherwise their other‑directed sense of identity (endless rigged benchmarking tests) can never form, since they are too lazy to develop a self‑directed identity, and certainly too idle to evolve an autonomous one based on what they discover using their own inner gyroscope[1][2]. This is what makes White laziness as institutionalized as White supremacy.

White Culture

All of this makes White people accessories to racism; additionally‑proving that they believe in White supremacy as the ideal social construction, since it gives Whites the ability to be slothful – at someone else’s expense. There is, after all, no need to hone any aptitude one possesses to its full flowering, if skin color is the basis of success, instead of talent. Whites substitute the need to develop talent with the unsubstantiated belief that they are born with the highest degree of automatic talent: In the diseased minds of White people, actual hard work is never required.

Thus, Whites have nothing else to rely upon as a guide‑to‑living or to tell them whom they are – or might be – and this is at the root of White existential pain. The cultural values that define Whites are the very ones that keep them deprived of self-respect and self-knowledge; meaning that no White actor can ever claim to be the best actor – they can only claim to be the best White one. And the fact that an Oscar is always awarded in every category – no matter the quality of that year’s recipients – means Whites will continue to award Oscars to their fellow Whites – no matter their quality.

Few Whites ever learn whether or not they achieve partly, mostly or entirely because they are White, because few are ever truly‑independent of their ingrained need for the cradle‑to‑grave social‑welfare insurance (White supremacy) that is granted them for simply turning a blind‑eye to the talents of those others allegedly not so well‑born.

Because it is clear Whites like Charlotte Rampling are going to open their stupid mouths and pontificate upon issues they do not, do not wish‑to nor ever could understand, either Whites create separate Oscars for separate ethnicities, or the other ethnicities create their own Oscars.

Sunday, 5 February 2017

The Wonder of Amazon

(2016)

Summary: Critique of www.amazon.co.uk.

At about 17:15, on Friday, 23 December , I received a telephone call from yourselves regarding an arbitrary LOVEFiLM Rental List item-limit.

I was told your computer system could not handle more than 1,000 list-items, despite my account having been over this limit since at least . This raises five questions:

  1. Does this limit apply to my entire account (6594) or just to each of my eight lists: General (998), Favorites (999), Adult (998), Best (999), Overspill 1 (998), Overspill 2 (645), Overspill 3 (403) and Overspill 4 (554)?
  2. Why does your system allow customers to create lists larger than can be handled?
  3. Why are there no written notifications of such list-limits in your online Help?
  4. When was this limit introduced? &,
  5. Why was this limit introduced?

If there is a means of e-mailing list back-ups to me, I would be more than happy to reduce this list/these lists to any limit you specify.

In the meantime, I have created four more item-lists that do not exceed your limits, in the hope that this might resolve the matter.

Sunday, 1 January 2017

Damonsplaining

How Caucasians Navigate the Choppy Seas of White Guilt

M att  Damon and Miley Cyrus could never accept that their success is anything but the result of a meritocracy which Whites have never practiced. To believe otherwise would mean Whites accepting they possess no merit other than that which they claim they possess, but which they cannot prove they actually do.

Yet, Damon is promoting his career by talking the shite he benefits from: Fools like him should take their own advice and keep their personal opinions to themselves. But because Whites think themselves omniscient, they do not feel the need to listen to others because they think they already know everything.

As Whites must suppress their truly-human natures in order to be loyal to (& continue benefiting from) White supremacy, Whites require others to repress theirs – on the false basis that White culture is a protection racket where one will not be abused so long as one obeys Whites. Not so that these others can be successful in an emotionally-repressive White culture, but so that Whites can appear greater than the then similarly identity-deprived ethnic competition. This allows Whites to hide their quintessential mediocrity behind the facade of fitting-in with other Whites; while hopefully avoiding the invidiousness of seeing others enjoying themselves. Like the puritanical, Whites are terrified that someone, somewhere is having the fun that they are not.

This bigoted discrimination means the hated groups must do as they are told by those who hate them as a vain means of not upsetting the bigots, despite the hated groups not being the cause of the bigotry. This would mean, for example, heterosexuals going out in public while homosexuals must hide in private.

This means Rupert Everett never got the role of 007 because he is gay, not because the Bond producers are homophobic. This means that Black people should hide the fact that they are Black – to further their careers. And that women should conceal their breasts and vaginas to further theirs. In other words, be less like yourselves and more like White people; ie, hate your own nature just as much as they hate theirs. Matt Damon thinks the sun shines from his arsehole, so believes that if only everyone else were like him, they would be as lovable as he obviously thinks he is.

Matt Damon is a moron of epic proportions because when Whites reach adulthood, they cannot determine – objectively – whether their success is either 100% due to their skin color, mostly due to it, partly due to it or entirely the result of merit. Not knowing leads Whites to doubt any talent their fans imply they possess; making them angrily-delusional in accepting the White belief that White culture is meritocratic and that their success is actually 100% deserved. In this needily-neurotic way, White self-distrust seems to be evaded, yet the doubts and the doubters remain – to be vainly attacked with the White supremacy that increases with age whenever anyone points out that the emperor is actually a nudist.

The only way for Whites to avoid such a painful realization is to claim that Black people possess no merit Whites need to respect and imply, therefore, that White supremacy is somehow justified because Whites are the only people with any real merit. No evidence that White supremacy is merit-based is ever adduced because Whites want (& need) to believe their own self-fulfilling hyperbole about themselves, since hype is all they have.

This White self-delusion neatly avoids the need to create the meritocracy Whites do not really believe in. Simultaneously, it is used to claim that Black people’s claim that diversity is better than White supremacy is seen as a threat to Whites’ non-existent meritocracy, because it is based on the implication that Black people are trying to obtain something-for-nothing. Yet, this is precisely what Whites are trying to obtain by making the false claim of possessing inherently-meritocratic political instincts.

The schizophrenia of not wanting a meritocracy, while claiming they already have one, demonstrates that Whites want to believe that White supremacy is the only kind of meritocracy possible. The fact that White supremacy induces laziness – by attempting to nullify both any kind of competition & any fear of losing – is evidenced by the White resentment Whites confer upon successful Black people whenever a more-or-less level playing-field actually does exist (eg, in music & sport), since these prove that Black people are just as meritorious as Whites or, worse for White egomania, moreso.

In other words, American Whites imply that when Blacks were slaves, Whites were happy meritocrats who are now being emotionally blackmailed into giving Blacks more credit than they actually deserve. White self-delusion claims that Institutional Racism is meritocratic; that employing Whites is always based on merit; &, that employing Blacks is always based on skin color. All this to avoid the guilt-ridden reality that Whites believe their automatic merit resides, primarily, in their skin pigmentation and that such affirmative action is only bad for Black people.

The inevitable-because-well-founded realization – when Whites are successful – is that Whites achieve mostly because of the Affirmative Action of White supremacy, not because of any actual merit. And that, therefore, any Black failings are the result of their non-existent genetic inferiority. In the same way that White women know that White men are programmed by White supremacy to find only White women sexually attractive, they can then twist this political fact into the metaphysical fantasy that this is because White women are actually the most beautiful of any ethnic group.

Mediocrities like Damon and Cyrus need to believe such nonsense, otherwise they would realize that their success in life is based on little more than their skin color. This would be a White guilt-inducing blow to their fragile egos that few Whites can effectively deal with because White supremacy does not provide Whites with the psychological wherewithal to honestly face the objective reality outside their reality-denying heads.

Thursday, 3 March 2016

O J Simpson

(2015)

Summary: Critique of “”.

What upsets Whites about the OJ Simpson criminal trial is that his guilt had to be proved – beyond a reasonable doubt – which it was not. Previously, Black guilt had merely to be assumed and asserted by Whites to be accepted as a form of proof – by Whites – in a White supremacist justice system in which proof of Black guilt was never really deemed necessary.

If OJ Simpson had murdered Black people, his guilt or otherwise would not so enrage Whites. As it was, it appeared a Black man was getting away with murder which, heretofore, was seen as a White man’s sole preserve: 99% of White lynchers were never tried for murder and few Whites were outraged by the Rodney King beating. Whites now fear that Black people will be allowed to murder them (& get away with it), as Whites continue to murder Black people (& not be punished for it) to this day. A racial dread that Whites are not prepared to live with; while angrily‑demanding that Black people do just that – regarding voracious White supremacy; resulting from the non‑crime of being Black.

Whites, here, are not concerned with such weighty matters as evidence or proof, merely with Black guilt; ie, the White belief that Black people are automatically guilty and that criminal trials of Black people are a waste of White people’s money and time.

A mostly‑White jury found Simpson civilly‑liable for murder; while a mostly‑Black one found him criminally‑innocent. Whites simply cannot bring themselves to believe that Black people are rational enough to present the correct verdict; ie, one politically‑acceptable to Whites. This is why the OJ Simpson criminal verdict was the only one after which Whites demanded IQ tests for jury‑members – they have never done this when a White is wrongly‑acquitted of murdering a Black person. Black people will always judge cases on the basis of ethnicity; while Whites will always judges cases on the facts – something that can easily be shown to be historically‑false.